Selected Writing | Julian Lucas

On El Anatsui for The New Yorker
On the history of Underground Railroad Reenactments for The New Yorker
On Dread Scott’s Slave Rebellion Reenactment for Vanity Fair
Review of Ian McEwan’s “Machines Like Me” for The New Yorker
On curses in contemporary African literature for The New York Times Book Review
On “permanent death” in text-based roleplaying games for Cabinet
Review of Derek Walcott and Peter Doig’s “Morning, Paramin” for The New York Review of Books
Review of Colson Whitehead’s “Underground Railroad” for The New York Review of Books